As one of America's preeminent comedic voices, George Carlin saw it all throughout his extraordinary fifty-year career and made fun of most of it. Last Words is the story of the man behind some of the most seminal comedy of the last half century, blending his signature acer-bic humor with never-before-told stories from his own life.
In 1993 George Carlin asked his friend and bestselling author Tony Hendra to help him write his autobiography. For almost fifteen years, in scores of conversations, many of them recorded, the two discussed Carlin's life, times, and evolution as a major artist. When Carlin died at age seventy-one in June 2008 with the book still unpublished, Hendra set out to assemble it as his friend would have wanted. Last Words is the result, the rollicking, wrenching story of Carlin's life from birth -- literally -- to his final years, as well as a parting gift of laughter to the world of comedy he helped create.
Merry, president and editor-in-chief of Congressional Quarterly Inc., offers a wide-ranging, provocative analysis of the controversial presidency of James K. Polk. Using a broad spectrum of published and archival sources, Merry depicts Polk as an unabashed expansionist. His political career was devoted to extending American power across the continent. Polk saw the fulfillment of manifest destiny as transcending even the festering issue of slavery. Elected president in 1844, he pursued confrontational diplomacy with Britain, structured a war with Mexico and enlarged the U.S. by over a third, essentially to its present boundaries, in a single term of office. Polk's achievements were correspondingly controversial across the political spectrum. Merry uses congressional debates and newspaper quotations to depict the genesis of a fundamental, enduring debate on America's nature and role. Conceding Polk's personal lapses and his least impressive traits. Merry makes a strong case that Polk's America embraced a sweeping vision of national destiny that he fulfilled. Merry's conclusion that history turns not on morality but on power, energy and will may be uncomfortable, but he successfully illustrates it.
Louis Armstrong was the greatest jazz musician of the twentieth century and a giant of modern American culture. He knocked the Beatles off the top of the charts, wrote the finest of all jazz autobiographies--without a collaborator--and created collages that have been compared to the art of Romare Bearden. The ranks of his admirers included Johnny Cash, Jackson Pollock and Orson Welles. Offstage he was witty, introspective and unexpectedly complex, a beloved colleague with an explosive temper whose larger-than-life personality was tougher and more sharp-edged than his worshipping fans ever knew.
In the post-meltdown world, it is irresponsible, ineffective, and ultimately useless to have a serious economic debate without considering and challenging the role of the Federal Reserve.
Most people think of the Fed as an indispensable institution without which the country's economy could not properly function. But in END THE FED, Ron Paul draws on American history, economics, and fascinating stories from his own long political life to argue that the Fed is both corrupt and unconstitutional. It is inflating currency today at nearly a Weimar or Zimbabwe level, a practice that threatens to put us into an inflationary depression where $100 bills are worthless. What most people don't realize is that the Fed -- created by the Morgans and Rockefellers at a private club off the coast of Georgia -- is actually working against their own personal interests. Congressman Paul's urgent appeal to all citizens and officials tells us where we went wrong and what we need to do fix America's economic policy for future generations.
In American on Purpose, Craig Ferguson delivers a moving and achingly funny memoir of living the American dream as he journeys from the mean streets of Glasgow, Scotland, to the comedic promised land of Hollywood. Along the way he stumbles through several attempts to make his mark—as a punk rock musician, a construction worker, a bouncer, and, tragically, a modern dancer.
To numb the pain of failure, Ferguson found comfort in drugs and alcohol, addictions that eventually led to an aborted suicide attempt. (He forgot to do it when someone offered him a glass of sherry.) But his story has a happy ending: in 1993, the washed-up Ferguson washed up in the United States. Finally sober, Ferguson landed a breakthrough part on the hit sitcom The Drew Carey Show, a success that eventually led to his role as the host of CBS's The Late Late Show. By far Ferguson's greatest triumph was his decision to become a U.S. citizen, a milestone he achieved in early 2008, just before his command performance for the president at the White House Correspondents' Association Dinner. In American on Purpose, Craig Ferguson talks a red, white, and blue streak about everything our Founding Fathers feared
A young Japanese-schooled Jewish-American who worked as a journalist at Tokyo newspaper Yomiuri Shinbun during the 1990s, debut author Adelstein began with a routine, but never dull, police beat; before long, he was notorious worldwide for engaging the dirtiest, top-most villains of Japan's organized criminal underworld, the yakuza. A pragmatic but sensitive character, Adelstein's worldview takes quite a beating during his tour of duty; thanks to his immersive reporting, readers suffer with him through the choice between personal safety and a chance to confront the evil inhabiting his city. He learns that "what matters is the purity of the information, not the person providing it," considers personal and societal theories behind Tokyo's illicit and semi-illicit pastimes like "host and hostess clubs," where citizens pay for the illusion of intimacy: "The rates are not unreasonable, but the cost in human terms are incredibly high." Adelstein also examines the investigative reporter's tendency to withdraw into cynicism ("when a reporter starts to cool down, it's very hard... ever to warm up again") but faithfully sidesteps that urge, producing a deeply thought-provoking book: equal parts cultural exposé, true crime, and hard-boiled noir.
In this enthusiastic yet first-rate biography, veteran British historian Johnson (Modern Times) asserts that Winston Churchill (1874–1965) was the 20th century's most valuable figure: No man did more to preserve freedom and democracy.... An ambitious, world-traveling soldier and bestselling author, Churchill was already famous on entering Parliament in 1899 and within a decade was working with Lloyd George to pass the great reforms of 1908–1911. As First Lord of the Admiralty, he performed brilliantly in preparing the navy for WWI, but blame—undeserved according to Johnson—for the catastrophic 1915 Dardanelles invasion drove him from office. Within two years, he was back at the top, where he remained until the Depression. Johnson delivers an adulatory account of Churchill's prescient denunciations of Hitler and heroics during the early days of WWII, and views later missteps less critically than other historians. He concludes that Churchill was a thoroughly likable great man with many irritating flaws but no nasty ones: he lacked malice, avoided grudges, vendettas and blame shifting, and quickly replaced enmity with friendship. Biographers in love with their subjects usually produce mediocre history, but Johnson, always self-assured as well as scholarly, has written another highly opinionated, entertaining work. B&w photos
The Liars' Club brought to vivid, indelible life Mary Karr's hardscrabble Texas childhood. Cherry, her account of her adolescence, "continued to set the literary standard for making the personal universal" (Entertainment Weekly). Now Lit follows the self-professed blackbelt sinner's descent into the inferno of alcoholism and madness--and to her astonishing resurrection.
Karr's longing for a solid family seems secure when her marriage to a handsome, Shakespeare-quoting blueblood poet produces a son they adore. But she can't outrun her apocalyptic past. She drinks herself into the same numbness that nearly devoured her charismatic but troubled mother, reaching the brink of suicide. A hair-raising stint in "The Mental Marriott," with an oddball tribe of gurus and saviors, awakens her to the possibility of joy and leads her to an unlikely faith. Not since Saint Augustine cried, "Give me chastity, Lord-but not yet!" has a conversion story rung with such dark hilarity.
Lit is about getting drunk and getting sober; becoming a mother by letting go of a mother; learning to write by learning to live. Written with Karr's relentless honesty, unflinching self-scrutiny, and irreverent, lacerating humor, it is a truly electrifying story of how to grow up--as only Mary Karr can tell it.
A frank, funny, no-holds-barred memoir that reveals the Deal or No Deal host’s ongoing struggle with OCD and ADHD–and how it has shaped his life and career.
Howie Mandel is one of the most recognizable names in entertainment–respected by his peers and beloved by audiences as the host of the enormously popular prime-time game show Deal or No Deal. With a career that spans three decades and many different show-business platforms–he’s a renowned stand-up comedian who continues to perform more than 150 sold-out shows a year, he created the award-winning TV show Bobby’s World, he’s starred in feature films and the hit TV series St. Elsewhere, and he’s also hosted his own daytime talk show–he’s one of the most versatile performers anywhere. But there are aspects of his personal and professional life he’s never talked about publicly–until now.
At the end of her bestselling memoir Eat, Pray, Love, Elizabeth Gilbert fell in love with Felipe, a Brazilian-born man of Australian citizenship who’d been living in Indonesia when they met. Resettling in America, the couple swore eternal fidelity to each other, but also swore to never, ever, under any circumstances get legally married. (Both were survivors of previous horrific divorces. Enough said.) But providence intervened one day in the form of the United States government, which—after unexpectedly detaining Felipe at an American border crossing—gave the couple a choice: they could either get married, or Felipe would never be allowed to enter the country again. Having been effectively sentenced to wed, Gilbert tackled her fears of marriage by delving into this topic completely, trying with all her might to discover through historical research, interviews, and much personal reflection what this stubbornly enduring old institution actually is. Told with Gilbert’s trademark wit, intelligence and compassion, Committed attempts to “turn on all the lights” when it comes to matrimony, frankly examining questions of compatibility, infatuation, fidelity, family tradition, social expectations, divorce risks and humbling responsibilities. Gilbert’s memoir is ultimately a clear-eyed celebration of love with all the complexity and consequence that real love, in the real world, actually entails.